Bad Heir Day
Wendy Holden's Bad Heir Day is a blackly comic anatomising of society life, with a liberal sprinkling of hilarious moments and a cast of characters that have a fully realised solidity, while still being several sizes larger-than-life. The superbitch Cassandra is a particularly memorable monster, spitting out cutting putdowns in a fashion that would give Bette Davis pause. Having honed an analytical eye working for Harpers & Queen, Holden made a splash with the similarly witty Simply Divine. This one takes the Wodehousian flair of her debut book and adds a more irresistibly plotted narrative to its corrosive picture of the glossy magazine world. Holden's take on modern manners among the Upper Crust is always clear-eyed and extremely funny, whatever the situation:
Sex scenes had been Cassandra's stock in trade. She was celebrated among the commuting classes for the ability to produce erections on the Circle Line at seven in the morning, "here was a writer at the peak of her powers." But for the moment, those powers had deserted her. Cassandra doubted now she'd be able to produce erections among a gang of footballers being lapdanced in Stringfellows.--BarryForshaw







